Meena Kumari’s 87th start anniversary: A take a look at her bond with Dharmendra

Any connection with in style Indian cinema can be incomplete with no connection with mythical actor and tragedienne of the Indian silver display, Meena Kumari. Born Mahjabeen, the actor began out as a kid actor, elderly simplest 4, in a movie referred to as Leatherface. Named Meena Kumari via well-known director Vijay Bhatt (no relation of Mahesh Bhatt), she made her debut as a complete fledged heroine at a young age of 13 with a movie named Bachchon Ka Khel. From then until her demise in 1972, she was once a excursion de power in Hindi cinema. Along with her appearing prowess and display personality, she was once unequalled. In movie after movie, her tragic characters spoke of the damaged desires of a whole era of women and men. She was once a celebrity from the phrase pass.


But Meena’s non-public existence was once a multitude, it had at all times been. Whilst a good bit has been written concerning the breakdown of her courting together with her father Ali Bux, a theatre and picture tabla artist, and later together with her husband, director Kamaal Amrohi, her alleged affair with veteran actor Dharmendra is rather much less identified. Fortunately, in books written on each the artists, we get a glimpse of what will have to have transpired between the 2.


A belief stays {that a} younger Dharmendra, suffering to ascertain himself within the Hindi movie business, used her as a stepping stone to transport forward in his profession. Looks as if that belief is however a belief. First the details – the 2 met for the primary time in Hrishikesh Mukherji directed Purnima and therefore went directly to paintings in motion pictures like Kaajal, Chandan Ka Palna, Majhli Didi, Primary Bhi Ladki Hoon, Baharon Ki Manzil and Phool Aur Patthar. Of those, simplest the final one was once a field place of work luck.


In a e-book named ‘Dharmendra: A Biography, No longer Simply A He-Guy’ via Rajiv M Vijayakar, excerpted via NDTV, the creator claims that Meena Kumari episode was once the “first unlucky involvement that came about in Dharmendra’s existence”.

“Lots of the business believes – and possibly, rightly so – that it was once the star-crossed actress, bereft of sufficient love and affection in actual existence, who took a complicated to the strapping younger guy she had come to understand for the reason that time they started taking pictures for Purnima. This movie was once adopted unexpectedly via Primary Bhi Ladki Hoon (which was once launched first), Kaajal (now not reverse each and every different) and Phool Aur Patthar, with which Dharmendra, on a handy guide a rough ascent, zoomed into the highest echelons. 3 extra motion pictures adopted – Chandan Ka Palna, Majhli Didi and Baharon Ki Manzil, however all of the ones bombed,” the e-book explains.

Her marriage to director Kamal Amrohi had ended via 1964, which in flip, had deeply scarred a delicate Meena.

In his e-book, veteran journalist Vinod Mehta talks of the primary assembly between the 2 in his much-referred to biography at the overdue actor. “The movie they have been signed on in combination was once referred to as Purnima, and Dharmendra would pass round asking, ‘What’s Meenaji like?’ He was once petrified on the prospect of dealing with her in entrance of the digital camera. Forged reverse a longtime famous person, the amateur was once involved. Having were given his destroy, he will have to at the one hand end up himself in his personal proper, and at the different extract a quantum of appreciate from the established famous person,” an excerpt in Open mag reads.

The 2 got here head to head for the primary time “at Chandivili all over outside shoot” he provides. He mentions how Dharmendra reacted to the assembly; how he was once a “bit fearful and worried” however was once glad as “she was once heat and pleasant and welcomed me with sort encouragement”. Meena, alternatively took a complicated to him from the phrase pass. Vinod quotes her announcing “This boy will upward thrust. He isn’t the regimen access.”


Vinod is going on to speak about what Meena for on the lookout for: “Coincidentally, at this actual second of her existence, Meena Kumari required a strong and trustworthy guy: giant and robust, any person on whom she may actually relaxation her head, and any person who was once now not too well-known”.

The e-book explains in nice element how at first it was once simplest about paintings; how she would enact his scenes for him and give an explanation for in nice element the nuances. All this is able to additionally instil self belief in an ‘unsure early life’. Quickly, Dharmendra was a standard at her Janki Kutir place of dwelling.

Additionally learn: Meena Kumari’s 86th start anniversary: Onscreen tragedy queen who persisted ache all her existence

Vinod avers that “Meena Kumari needed to have interaction the eye of this younger guy” and that “she at all times favored having a couple of domestic dogs round her”. She was once additionally “too dignified and famend an actress to make an open move”.


Opposite to in style trust, Dharmendra didn’t inspire her to drink extra. At the opposite, he could have stopped her from doing so. The e-book reads: “Dharmendra was once virtually a day by day customer at Janki Kutir. In combination they might open a bottle and spend a couple of hours. Those have been the nice occasions.”

“Like every just right Punjabis, Dharam then and nonetheless enjoys his booze; however this is a lie that he persuaded or burdened Meena to drink… If the rest, he was once unsatisfied about her consuming and attempted to prevent her. He just about succeeded: whilst Dharam was once round, Meena’s imbibing was once limited, as soon as he left it was once rampant. Dharam was once the whole thing she sought after then: truthful, dependable, massive, loving and comforting…”

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